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Kumar was branded an anti-national by Hindu politicians, who asked him to return the award to Pakistan.
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From 2000 to 2006 he served as a member of the Rajya Sabha, the upper house of Parliament.īut these honors from the Indian government consumed far less newsprint than the decision by the Pakistani government, in 1998, to confer on him its highest civilian honor, the Nishan-e-Imtiaz. Kumar received the Padma Bhushan, one of India’s highest civilian awards, in 1991 the Dadasaheb Phalke, India’s highest award for cinematic excellence, in 1994 and the Padma Vibhushan in 2015.
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By then, a reviewer wrote in India Today, his style felt “more than just outdated, it’s prehistoric,” adding, “Dilip Kumar’s long-drawn-out dialogue delivery is out of sync with the times.” Kumar’s last film was “Qila” (“Fort”), released in 1998. He had similar roles in star-heavy mega-productions like “Vidhaata” (“The Creator”) in 1982, “Karma” in 1986, Saudagar (“The Merchant”) in 1991 and especially “Shakti,” in which he was cast for the first time opposite the reigning Bollywood superstar Amitabh Bachchan. He returned in 1981 with a blockbuster, “Kranti” (“Revolution”), which reshaped his screen persona as an older moral center. Kumar found fewer roles in the 1970s, with younger, more agile actors being cast as heroes, and he took a break. Films like “Naya Daur” (“New Era”) in 1957, “Yahudi” (“The Jews”) in 1958, “Madhumati,” also in 1958, and “Ram Aur Shyam” (“Ram and Shyam”) in 1967 are still remembered. Kumar’s record was spotless, with films that have not only been successful but have also left a lasting impact. The news quickly came out, and the marriage became a scandal, but Ms. Kumar married the socialite Asma Rehman in secret. Kumar’s love life made news he had relationships with the actresses Kamini Kaushal, Madhubala (they co-starred in the 1960 blockbuster “Mughal-e-Azam,” about thwarted lovers, long after they broke up) and Saira Banu, whom he married in 1966 when he was 44 and she was 22. That same year, he played a Heathcliff-like character in “Arzoo” (“Desire”), one of three variations on “Wuthering Heights” in which he acted. The 1950 melodrama “Jogan” (“Nun”) ends with him weeping at his lover’s grave. Many of his early films had him chasing unattainable women. Guinness World Records honored him on his 97th birthday for his “matchless contribution” to Indian cinema. He won seven more Filmfare statuettes for best actor in addition to a lifetime achievement award. Kumar won the newly instituted Filmfare Award for best actor for his performance as an alcoholic in the tragic love story “Daag” (“The Stain”). The hits kept coming, including “Nadiya Ke Paar” (“Across the River”), “Shabnam” (“Dewdrops”) and Mehboob Khan’s “Andaz” (“Style”), in which Mr. Patel was singing his praises: “Dilip Kumar steals the picture with his deeply felt and yet natural delineation of the main role.” By the time “Shaheed” (“Martyr”) was released in 1948, Mr. His first film, “Jwar Bhata” (“Ebb and Flow”), released in 1944, was a flop Baburao Patel, the acerbic critic of Film India, called him “anemic.” But three years later his performance in “Jugnu” (“Firefly”), alongside Noor Jehan, received more favorable attention. Rani said that taking on a Hindu screen name to obscure his Muslim background would help his career. Kumar, who had seen only one film in his life - a war documentary - was flummoxed, but the money persuaded him. Rani asked if he would consider becoming an actor. The idea was to get a job, any job, but Ms. When he said he was looking for a job, the teacher introduced him to the pioneering Indian actress Devika Rani, who, along with Himanshu Rai, had established the Bombay Talkies studio. For a time he was an assistant at an army canteen in Poona (now Pune).Ī chance encounter with a former teacher changed his life. He wanted to play soccer or cricket professionally, but the family’s financial situation forced him to look for work elsewhere.